EPMD, Roxanne Shante, DJ Spinderella will also pop up at select cities. Organized by Universal Attractions Agency (UAA), RAMP Entertainment Agency and Mahogany Entertainment, the tour will feature performances by Big Daddy Kane, Doug E. Masters Of The Mic: Hip-Hop 50 TourĪ major element across Hip-Hop 50 events is to give legends their flowers, and Masters of The Mic: Hip-Hop 50 Tour is a gathering of some of the genre’s pioneers. Here is a select list of events that will commemorate this groundbreaking movement and important milestone. ![]() This year marks hip-hop’s 50th anniversary, so naturally, a wide array of exhibits, block parties and concerts are being held across New York City’s five boroughs and throughout the nation that celebrate the genre’s impact. Today, hip-hop has influenced politics, education, fashion, technology and pop culture worldwide. That event, held in a Bronx apartment building community room, gave way to not only a genre but a movement. 11, 1973, Cindy Campbell asked her brother Clive (known by his stage name DJ Kool Herc) to DJ at a school fundraiser she organized. Hip-hop was born at a humble party that transformed into a definitive movement. The following albums took the genre into warp speed, pushing its creative limitations to where it is today. This late ‘80s era encapsulates the genre's most consequential releases, ones that paved the way for rap to be where it is now. Their work and that of many others ushered in the beginning of hip-hop's golden age, as seen by numerous breakthrough albums in the later part of the decade 1988 in particular, was a historically fruitful year. We’d be remiss not to cite just a handful of the many adventurous artists whose careers began in the '80s: EPMD, LL Cool J, Ultramagnetic MCs, Ice-T, Jungle Brothers and more. Artists at his helm include Biz Markie, Roxanne Shanté, Kool G Rap, and Big Daddy Kane - all of which were innovators in their own right. He pioneered methods of drum programming and sampling, all of which began as early as 1983 when he was slowly piecing together the collective. For one, Marley Marl, of the Juice Crew, was an innovator who preceded Wu-Tang as a super producer who surrounded himself with a motley crew of MCs, each with distinct approaches and personalities. Graffiti was once viewed as vandalism was now on walls and podiums at art galleries, praised as “street art.” Sugar Hill Gang's "Rapper's Delight" seemed light years ago, and there was a palpable sense of maturation and explosion of ideas in the music.Ī colorful cast of new artists pushed boundaries of the time. And while there was a sense of underlying exploitation, it catapulted hip-hop culture nationally and worldwide. Films like as Breakin’ and Beat Street used hip-hop as a dramatic vehicle. ![]() ’s bloated collab with Aerosmith, brought posters into teenagers’ bedrooms and cross promotional ideas to the forefront. For better or worse, hip-hop began to lodge itself into the mainstream during this decade. ![]() ![]() Seldom was it deemed legitimate in the ‘70s but the ‘80s came with it a realization: that big business and big money could be squeezed from the culture. Hip-hop’s four elements (rap, DJjing, breakdancing and graffiti) grew independently and exponentially in form and acknowledgment in the ‘80s. Debuts from the likes of MC Lyte, De La Soul, Slick Rick and others kickstarted not only legendary careers, but a wave of innovations that undeniably led to rap’s commercial takeover in the ‘90s. Diss tracks, party anthems, socially minded material and gangsta rap all had a place in this era, defined by groups and solo efforts that strove to differentiate themselves from one another. The handful of rap songs released in the 1970s opened doors for the onslaught of creative variation that marked rap albums of the 1980s.
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